
16 ” x 8.5” - Tiffany style stained glass (Mounted on Stand)
Saadiyah Wazeer | Na’layn Series: New Roots
Saadiyah Halima
Visual Artist | Islamic Calligraphy | Stained Glass Specialist
Saadiyah Halima is a Chennai-born visual artist with over 28 years of experience specializing in Islamic calligraphy and stained glass techniques. She holds both a Bachelor's and Master’s degree in Fine Arts from Stella Maris College, University of Madras, India.Her artistic journey began during her high school years, driven by a deep appreciation for fine arts. Upon completing her undergraduate studies, she found her calling in stained glass—an expressive medium that allowed her to explore the spiritual and visual depth of Islamic art in innovative ways. Deeply inspired by the beauty of Quranic verses and the sacred geometry embedded in Islamic design, her work reflects a unique synthesis of tradition and personal devotion.
Saadiyah’s stained glass pieces are notable for their meticulous craftsmanship and vibrant color palettes. Using colored glass of varying textures, she creates compositions that integrate Arabic calligraphy with contemporary aesthetics.Her works have been exhibited in cultural centers and galleries across India (Chennai and Bangalore), Mauritius, and Toronto, Canada. She has held ten solo exhibitions in these locations, gaining recognition for her distinctive style and technique. Over the past two decades, her work has reached a global audience, with commissioned pieces collected by clients in Singapore, the United States, Australia, Dubai, Germany, London, and Toronto.
This stained glass work continues my ongoing Na'layn series, drawing inspiration from the maple leaf and the changing colours of the Canadian seasons. The maple leaf symbolizes my adopted homeland and reflects my personal and artistic journey as I have grown and evolved in Canada. The composition incorporates Islamic geometric patterns, a defining element of Islamic artistic tradition, creating a dialogue between my cultural heritage and the landscape that now surrounds me. The brilliant colours of autumn, first experienced with awe when I arrived in Canada, remain a constant source of inspiration. Their seasonal transformation serves as a reminder of the beauty and perfection of God's creation, inviting reflection, gratitude, and contemplation.
Through the medium of stained glass, light and colour become integral to the work, allowing the vibrant hues of the maple leaf to illuminate both the physical space and the spiritual themes of renewal, belonging, and appreciation for the blessings found in the natural world.
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